PROVE YOUR STORY WORKS WITH PREVISUALIZATION
Our combined experience as animators, VFX artists, writers, producers, and filmmakers, enables us to consult on every aspect of the previs process. We collaborate with directors, to the degree they desire, to best understand and achieve their vision. Using Autodesk Maya, previs-specific tools and the latest in project management and data transfer, we offer the greatest efficiency and seamless file sharing.
Don’t let our Colorado location fool you either; we have extensive experience at the highest levels of the film and commercial worlds. And when we combine our talent and experience with the best tools available, we’re able to leverage our location to consistently deliver the highest quality work to anywhere in the world, at rates not available in most larger markets.
We’re filmmakers too. In both live action and animation, Worker Studio’s team understands the full spectrum of what it takes to make motion picture entertainment, largely because we do it ourselves. Along with our in-house animation endeavors, the senior team at Worker Studio also operates a live-action development company, which has produced numerous short films, and is currently developing its first feature. We know the ins and outs of camera and lens selection, how lighting affects storytelling, what mis-en-scene is, the differences between shooting digital and film, and the role all of those elements (and more) play in visualizing a story before a single person shows up on set.
Lastly, having been both vendor and vendee, we also understand our role in the production process, and the significance of what it means to take direction. As a previs team, we’ll be there to help in the development process at every level that we can, with answers or suggestions when solicited, but we also have the experience to recognize when it’s our job to just interpret the director’s vision as quickly and as accurately as possible, without adding complications. If our director is envisioning a Spydercam shot utilizing an Arri Alexa camera flying alongside a green screen-rigged process trailer with an Ultra Prime 24mm lens, then that’s the visual interpretation they’ll get from us.
Don’t let our Colorado location fool you either; we have extensive experience at the highest levels of the film and commercial worlds. And when we combine our talent and experience with the best tools available, we’re able to leverage our location to consistently deliver the highest quality work to anywhere in the world, at rates not available in most larger markets.
We’re filmmakers too. In both live action and animation, Worker Studio’s team understands the full spectrum of what it takes to make motion picture entertainment, largely because we do it ourselves. Along with our in-house animation endeavors, the senior team at Worker Studio also operates a live-action development company, which has produced numerous short films, and is currently developing its first feature. We know the ins and outs of camera and lens selection, how lighting affects storytelling, what mis-en-scene is, the differences between shooting digital and film, and the role all of those elements (and more) play in visualizing a story before a single person shows up on set.
Lastly, having been both vendor and vendee, we also understand our role in the production process, and the significance of what it means to take direction. As a previs team, we’ll be there to help in the development process at every level that we can, with answers or suggestions when solicited, but we also have the experience to recognize when it’s our job to just interpret the director’s vision as quickly and as accurately as possible, without adding complications. If our director is envisioning a Spydercam shot utilizing an Arri Alexa camera flying alongside a green screen-rigged process trailer with an Ultra Prime 24mm lens, then that’s the visual interpretation they’ll get from us.
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Our founder, Michael “Ffish” Hemschoot, has been on the forefront of digital previsualization since the mid-1990’s; having been a lead member of previs teams for such feature film as: Bless the Child, Stuart Little2, Master and Commander, and National Treasure. In his career, Michael has been fortunate enough to work closely with some of the industry’s top directors and visual effects supervisors, in pre-production, production and post-production/editorial phases. He’s been around the block; from months on-set in remote locations, to supervising second unit visual effects on just about every back-lot in Hollywood. Essentially, our team captain has observed, absorbed, and contributed at the highest levels of the creative and technical aspects of Hollywood filmmaking, which we believe gives us the edge in delivering the best previs bang for your buck.
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